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Mãi Yêu Người Thôi is the fourth studio album by Vietnamese American singer Lâm Nhật Tiến, which was released on 1 January 2001 in the United States under the music label Asia Entertainment Inc. after he had received the "Best Asia Artist of the year 2000" Award.
He composed or wrote lyrics for hundreds of songs, including classics such as Te Aroha (1983), and Moe, moe mai rā adapted from the Welsh lullaby Suo Gân, and others for special occasions including one in memory of Sir Archie Taiaroa. [4] [5] He was the leader of the kapa haka groups Te Matapihi and Te Taikura o te Awa Tupua. [4] [6]
Lâm Nhật Tiến (born 3 September 1971) is a Vietnamese-American singer who was affiliated with the music label, Asia Entertainment Inc. from 1994 to 2016. [1] He gained prominence through numerous appearances in Asia Entertainment's music videos, establishing himself as one of Vietnam's leading male pop stars.
The original Romanian version of the song was digitally released in the United States on 22 June 2004 by Media Services, under the name of "Mai Ai Hee (Dragostea din tei)". [11] In 2005, a CD of "Dragostea din tei" was issued in Japan by Avex Trax , titled "恋のマイアヒ" ("Koi No Maiahi").
Movin 'On is the first single by Japanese band Dream as a trio, released on January 1, 2000. The single reached number 15 on the weekly Oricon charts, charting for seven weeks, and sold 100,910 copies. This song was used as an opening theme to the TV Tokyo show Sukiyaki!! London Boots Daisakusen.
On the disco dance charts, "Movin'" went to number 1 for four weeks and spent a total of twelve weeks on the chart. [4] Outside the US, "Movin'" went to number 23 in the UK in 1976 [ 5 ] and peaked at number 24 as "Movin' 1988" when remixed by PWL's Phil Harding .
I Ain't Movin' is the second studio album by British soul singer-songwriter Des'ree. [ 7 ] [ 8 ] It was released on 9 May 1994 in the UK, and 5 July 1994 in the US by 550 Music and Epic Records , and features the top 5 smash hit, " You Gotta Be ".
[13] [14] "Lips Are Movin" is a retro-tinged doo-wop and pop song, with production that makes use of handclaps, and a post-chorus chant reminiscent of the latter. The lyrics, too, reference it with the line, "I gave you bass/You gave me sweet talk." [15] [16] [17] Trainor assumes a Southern-inflected patois while singing over the song's ...