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The iconic photo of Earth known as The Blue Marble, taken by the crew of Apollo 17 (1972). This and similar images might have popularized Earth as a theme in fiction. [1]: 138 The overwhelming majority of fiction is set on or features the Earth, as the only planet home to humans or known to have life.
Kim Stanley Robinson (born March 23, 1952) is an American science fiction writer best known for his Mars trilogy.Many of his novels and stories have ecological, cultural, and political themes and feature scientists as heroes.
Other invaluable works include The Encyclopedia of Science Fiction, edited by John Clute and Peter Nicholls (2nd. Ed. 1991), The Mammoth Encyclopedia of Science Fiction, edited by George Mann (1999) (ISBN 0-7867-0887-5 or ISBN 1-84119-177-9), and Twentieth-Century Science-Fiction Writers, edited by Curtis C. Smith (1981) (ISBN 0-312-82420-3).
He was often considered to be not only one of the greatest science fiction authors, but one of the best American writers regardless of genre. In 2003, award-winning science fiction author Michael Swanwick said: "Gene Wolfe is the greatest writer in the English language alive today. Let me repeat that: Gene Wolfe is the greatest writer in the ...
According to Ott and Broman, Aniara is an effort to "[mediate] between science and poetry, between the wish to understand and the difficulty to comprehend". [10] Martinson translates scientific imagery into the poem: for example, the "curved space" from Albert Einstein's general theory of relativity is likely an inspiration for Martinson's description of the cosmos as "a bowl of glass ...
The science fiction writer Frederik Pohl has described Heinlein as "that greatest of Campbell-era sf writers". [52] Isaac Asimov said that, from the time of his first story, the science fiction world accepted that Heinlein was the best science fiction writer in existence, adding that he would hold this title through his lifetime. [53]
Apocalyptic fiction is a subgenre of science fiction that is concerned with the end of civilization due to a potentially existential catastrophe such as nuclear warfare, pandemic, extraterrestrial attack, impact event, cybernetic revolt, technological singularity, dysgenics, supernatural phenomena, divine judgment, climate change, resource depletion or some other general disaster.
In his early short fiction, Gibson is credited by Rapatzikou in The Literary Encyclopedia with effectively "renovating" science fiction, a genre at that time considered widely "insignificant", [9] influencing by means of the postmodern aesthetic of his writing the development of new perspectives in science fiction studies. [36]