Search results
Results from the WOW.Com Content Network
These machines follow different synthesis approaches. The K4 use subtractive synthesis based on sampled waveforms, the K1 and K5 are additive synthesizers. The K1 is one of the first popular synthesizers that has no filter whatsoever; all sounds are made by stacking wave samples and applying frequency modulation. The K3 is hybrid in the sense ...
A K5000 sound is composed of up to six different layers, each of which could use the "advanced additive" synthesis engine or perform fairly standard subtractive synthesis using the internal PCM sound bank.
Factory service manuals have seen the implementation of digitalization over the years. Factory service manuals are generally the only source of information for manufacturers labor time guides. These are times that are generated through labor time studies that are used in warranty operations.
The Kawai Q-80 by Kawai Musical Instruments in 1989, [1] is a music sequencer that has a built in 2DD floppy disk drive for storage. It allows playback, editing, and recording via its MIDI connections. There is a battery backup to hold the configuration when the unit is powered down. The tempo can be set from 40-250 beats per minute.
To indicate an automatic sequence of machine functions repeated continuously without manual intervention. To identify a feature or a selector control that reverses automatically the tape running direction every time the tape comes to either of its limits. Repeat once U+1F502 🔂 — Information: U+2139 ℹ #6222 Information, general; help, general
The Kawai XD-5 is a percussion synthesizer based on the Kawai K4 sample playback (but uses 16-bit 44.1 kHz sample rate as opposed to 32 kHz ) [6] [7] with filter and AM amplifier modulation synthesis architecture.
Fourth, "the condition of the instrument is such that an accurate achievement of its original quality of function is unlikely." Lastly, if "the function is so well understood that no new information is likely to be gained." [22] Functional restoration does not always align with the ethics and standards of practice of conservation-restoration.
The Kawai R-100 is drum machine released in 1987. [2] The R-100 is the bigger brother of the R-50 and having velocity sensitive pads unlike the R-50. It has 24 on board samples that are 12-bit PCM format with a sample rate of 32kHz [3] and eight individual outputs as well as stereo and mono outputs for routing to an external mixing desk.