Search results
Results from the WOW.Com Content Network
Film retrospectives are usually screenings of films grouped around a theme or a particular director. They are mounted as part of many film festivals, including the Retrospective section in the Berlin International Film Festival, [1] Sundance, [2] Locarno Film Festival, [3] Byron Bay Film Festival [4] They are also held by cinemas [5] [6] or various types of organisations.
Pages in category "Literary series" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. ...
Reviewing the book under its American title Don't Look Now, Margaret Millar of The New York Times was lukewarm. While acknowledging du Maurier's popularity, she felt the book to be "a collection of five uneasy pieces" in which "the reader is given an intriguing situation, a series of neatly planted clues and a generous number of plot twists". [8]
Dorothy Fields (July 15, 1904 [1] – March 28, 1974) was an American librettist and lyricist.She wrote more than 400 songs for Broadway musicals and films. Her best-known pieces include "The Way You Look Tonight" (1936), "A Fine Romance" (1936), "On the Sunny Side of the Street" (1930), "Don't Blame Me" (1948), "Pick Yourself Up" (1936), "I'm in the Mood for Love" (1935), "You Couldn't Be ...
"The Way You Look To-night" is a song from the film Swing Time that was performed by Fred Astaire and composed by Jerome Kern with lyrics written by Dorothy Fields. It won the Academy Award for Best Original Song in 1936. [5] [6] Fields remarked, "The first time Jerry played that melody for me I went out and started to cry. The release ...
In literature, internal analepsis is a flashback to an earlier point in the narrative; external analepsis is a flashback to a time before the narrative started. [ 4 ] In film, flashbacks depict the subjective experience of a character by showing a memory of a previous event and they are often used to "resolve an enigma". [ 5 ]
Masterplots is a reference book series which summarizes the plots of significant works of literature and films. [1] The first edition was published in 1949 by Frank N. Magill of Salem Press. [ 2 ] It remains the flagship product of the publisher.
Retroactive continuity, or retcon for short, is a literary device in which facts in the world of a fictional work that have been established through the narrative itself are adjusted, ignored, supplemented, or contradicted by a subsequently published work that recontextualizes or breaks continuity with the former.