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Mt. Joy is an American five-piece indie rock band based in Los Angeles with roots in Philadelphia. Its members are Matt Quinn (vocals, guitar), Sam Cooper (guitar), Sotiris Eliopoulos (drums), Jackie Miclau (keyboards) and Michael Byrnes (bass).
Evergreen (American band), an American post-punk band Evergreen (French band) , a French indie pop duo Evergreen (rapper) (Nicholas Fantini, born 1984), Italian rapper
TikTok has been crucial to the song's success; [1] [2] by August 2024, the song has soundtracked over 300,000 clips to date. It became the first song by Richy Mitch & the Coal Miners to enter the Billboard Hot 100, debuting at number 83. [2] An official remix of the song featuring American folk band Caamp was released on August 9, 2024. [3]
Jason Kelce brought the holiday spirit when he performed his new Christmas song with Mt. Joy, “Santa Drives an Astrovan,” ahead of the Philadelphia Eagles and Washington Commanders game. The ...
The band played the iconic New York City venue for the first time on Sept. 28 Maren Morris Joins Mt. Joy Onstage at Sold-Out Madison Square Garden Show to Perform 'Highway Queen' — See the Video ...
In North America, "Evergreen (You Didn't Deserve Me at All)" debuted at number 62 on the US Billboard Hot 100, for the week ending October 2, 2022. [5] Two weeks later, it peaked at number 51. [6] While in Canada, it peaked at number 43. In Europe, the song entered the top 5 of the Netherlands' song chart and the top 40 of Ireland and the UK's ...
Evergreen was recorded at Maze Studios in Atlanta, Georgia with production handled by Ben H. Allen, [3] known for his work with Deerhunter, Animal Collective and Belle and Sebastian. [4] Following a period of "profound and personal loss", Allison was "opting for more organic production" to keep the songs "raw and relatable, unvarnished and ...
Evergreen received a score of 80 out of 100 on review aggregator Metacritic based on six critics' reviews, indicating "generally favorable reviews". [8] AllMusic's Neil Z. Yeung felt that Lyndsey Gunnulfsen's "evolution continues, building upon the promise of 2020's Use Me while laser-focusing her attack with equal parts melody and sheer force", as an "ineffably angst-packed energy surges ...