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Uranga is the only one of the tens of past and present members of Mocedades to last from its inception to present day, although she took time off in 1978 after the birth of her daughter and in 1982 due to illness. At these times, her sister, Idoia Uranga, usually took her place in concerts. Nowadays, Uranga remains a member of one of the two ...
Mocedades, with Izaskun Uranga, Javier Garay, Luis Hornedo, Rosa Rodríguez and Fernando Gonzalez recorded a new album, "Mocedades canta a Juan Luis Guerra", with songs from the Dominican singer Juan Luis Guerra. This album was only released in Latin America and remains the only Mocedades album unreleased in Spain.
The daughters of a former slave who became the first African-American elected bishop in the Episcopal Church in the United States, the sisters were Civil Rights pioneers but were unknown until journalist Amy Hill Hearth interviewed them for a feature story in The New York Times in 1991. The sisters were then 101 and 103 years old.
Janet Maslin (The New York Times) Harold McCarthy; Todd McCarthy (Variety, The Hollywood Reporter) Michael Medved (New York Post, Sneak Previews) Nell Minow (rogerebert.com and moviedom.com) Elvis Mitchell (The New York Times, Fort Worth Star-Telegram, Los Angeles Herald Examiner, The Detroit Free Press) Khalid Mohammed (Hindustan Times) Joe ...
The movie premiered at the Radio City Music Hall, and The New York Times movie review said: "A charming, at times heartbreakingly human, little comedy about life in a musical family of attractive daughters which occasionally is ruffled by the drama of a masculine world outside, Four Daughters, at the Music Hall, tempts one to agree with Jack ...
A brief moment that determined the vastly different destinies, fortunes and identities of two sisters from Yunnan on the China-Myanmar border is at the heart of “The Unseen Sister,” a mix of ...
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Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.