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The sculpture of St. Luke, completed in 1957, is one part of a collection of four total figures located outside of O’Shaughnessy Hall on the south quad of the campus of Notre Dame. The collection includes sculptures of Christ and the Samaritan Woman, St. Luke and St. John. The pedestal it rests on is concrete. [2]
For example, Dorothy A. Lee lists several discrepancies between Hebrew betrothal scenes and John 4: "the Samaritan woman is not a young Jewish virgin and no betrothal takes place; the well is not concerned with sexual fertility but is an image of salvation (see Isa. 12:3); Jesus is presented not as a bridegroom but as giver of living water." [12]
Christ and the Samaritan Woman at the Well is a painting in oils on canvas of 1796 by Angelica Kauffman, depicting the eponymous Gospel passage.It was bought from the artist's estate in 1829 by Louis I of Bavaria and remained in the House of Wittelsbach until it was transferred to the Wittelsbacher Ausgleichsfonds in 1926; it then passed to the State of Bavaria in 1938.
Christ and the Samaritan Woman is an outdoor sculpture by Croatian sculptor Ivan Meštrović.Created in 1957, the sculpture resides in front of O’Shaughnessy Hall on the campus of the University of Notre Dame as part of the Shaheen-Mestrovic Memorial, which was completed in 1985 by the Department of Landscape Architecture and Planning in the South Bend office of Cole Associates. [1]
John 4 is the fourth chapter of the Gospel of John in the New Testament of the Christian Bible. The eternality of Jesus. The major part of this chapter (verses 1-42) recalls Jesus' conversation with the Samaritan woman at the well in Sychar. In verses 43-54, he returns to Galilee, where he heals a royal official's son.
Christ and the Samaritan Woman (1593-1594) Christ and the Samaritan Woman or The Woman at the Well is a 1593-1594 oil on canvas painting by Annibale Carracci, painted as part of the same scheme as the Palazzo Sampieri frescoes. Several years later he also produced a much smaller autograph copy with variations, now in the Museum of Fine Arts ...
The Sunday of the Samaritan Woman [6] is the Fifth Sunday of Pascha, commemorating the Woman by the well, (traditionally known as Photina in Greek or Svetlana in Russian), as recounted in the Gospel reading for the day, John 4:5-42.
The story of the Samaritan woman is told in the Gospel of John. A woman leans eagerly forward in conversation with Jesus, in contrast to the typical portrayal of the time which showed the woman sitting passively listening to a monologue. [1] It is one of the few works by Gentileschi with a full landscape. [2]