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Jean Arp: Year: 1950: Type: Bronze: ... Evocation of a Form: Human, Lunar, Spectral is an abstract bronze sculpture by Jean Arp. Modeled in 1950; it was cast in 1957. [1]
The sculpture's wavy form simulates the natural curves of clouds, hills, and lakes, and expresses Arp's opposition to machines that caused wars. [1] It has elements of Surrealism and Dada. [1] The sculpture sits just outside the Plaza Cubierta by the Aula Magna; behind it is a large ceramic mural by Mateo Manaure. [1] [9]
In 1972, the Metropolitan Museum of Art showcased Jean Arp's work from the Lejwa's collection and a few works lent by Arp's widow, Marguerite Arp. The exhibition was expanded and traveled as "Arp 1877–1966," first exhibited at the Solomon R. Guggenheim Museum and then shown in seven museums in the United States and six in Australia. [ 14 ]
Once he considered to have achieved a good mastery of the volumes, [1] he started working on this sculpture based on Ombres chinoises. [2] The work belongs to the personal language the author defined in previous years, a representation of nature as an ideal for art through abstract and biomorphic forms, characterized by curves and fluctuating ...
Madeleine Chalette was born in 1915 in Paris, France, and moved with her family to Poland as a child. In 1940, following her successful effort to secure the release of her father, Leon Chalette, from Sachsenhausen, a German concentration camp near Berlin, father and daughter traveled by boat to Shanghai, where they lived during World War II, arriving in the United States in 1946. [6]
Presently, the effect of the influence of nature is less obvious: instead of designed objects looking exactly like the natural form, they use only slight characteristics to remind us of nature. Victor Papanek (1923–1999) was one of the first American industrial designers to use biomorphic analysis in his design assignments. He reached ...
Organic Abstraction is an artistic style characterized by "the use of rounded or wavy abstract forms based on what one finds in nature." [1] It takes its cues from rhythmic forms found in nature, both small scale, as in the structures of small-growth leaves and stems, and grand, as in the shapes of the universe that are revealed by astronomy and physics. [2]
It spans more than five acres and has more than 70 international sculptures, by figural and abstract artists such as Jean Arp, Deborah Butterfield, Alexander Calder, Barbara Hepworth, Jacques Lipchitz, Henry Moore, Isamu Noguchi, Auguste Rodin, David Smith, Claire Falkenstein, Gaston Lachaise, Henri Matisse, Francisco Zúñiga, and others.