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Odysseus (Ὀδυσσεύς), another warrior-king, famed for his cunning, who is the main character of another (roughly equally ancient) epic, the Odyssey. Patroclus (Πάτροκλος), beloved companion of Achilles. Phoenix (Φοῖνιξ), an old Achaean warrior, greatly trusted by Achilles, who acts as mediator between Achilles and Agamemnon.
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
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Illustration from Gustav Schwab of Odysseus killing the suitors Ulysses' revenge on Penelope's suitors (Christoffer Wilhelm Eckersberg, 1814). In the Epic Cycle, Antinous (also Antinoüs; Latin: Antinous) or Antinoös (Ancient Greek: Ἀντίνοος, romanized: Antínoös), was the Ithacan son of Eupeithes, best known for his role in Homer's Odyssey.
Leopold Bloom is a protagonist and hero in Joyce's Ulysses. His peregrinations and encounters in Dublin on 16 June 1904 mirror, on a more mundane and intimate scale, those of Ulysses/Odysseus in Homer's epic poem the Odyssey. The character was inspired by James Joyce's close friend, Aron Ettore Schmitz (Italo Svevo), author of Zeno's Conscience.
In the Odyssey, Leodes, Leiodes or Liodes (/ l i ˈ oʊ d iː z /; Ancient Greek: Λειώδης, romanized: Leiṓdēs, lit. 'smooth, even') was an Ithacan diviner and a minor suitor of Penelope. [1] He had darkly predicted that Odysseus would return to avenge the suitors' abuse of hospitality.
An extensive list of Penelope's suitors is given in the Bibliotheca. [21] This source does not appear to fully respect the Homeric tradition, as the numbers are different and not all of those named in the Odyssey appear in the Bibliotheca. Due to the text being damaged, some of the names are repeated several times and the lists for Dulichium ...
Map of Homeric Greece. In the debate since antiquity over the Catalogue of Ships, the core questions have concerned the extent of historical credibility of the account, whether it was composed by Homer himself, to what extent it reflects a pre-Homeric document or memorized tradition, surviving perhaps in part from Mycenaean times, or whether it is a result of post-Homeric development. [2]