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The Doge of Genoa (/ d oʊ dʒ / DOHJ) [a] was the head of state of the Republic of Genoa, a city-state and soon afterwards a maritime republic, from 1339 until the state's extinction in 1797. Originally elected for life, after 1528 the Doges were elected for terms of two years. [ 1 ]
18th-century Doges of Genoa (49 P) Pages in category "Doges of Genoa" The following 3 pages are in this category, out of 3 total.
Pages in category "16th-century Doges of Genoa" The following 41 pages are in this category, out of 41 total. This list may not reflect recent changes. A.
Pages in category "15th-century Doges of Genoa" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. A.
Giovanni II Valente (1280–1360) was the third Doge of Genoa from 1350 to 1353. His time in office was marked by the crushing defeat of the city against the Venetians at the naval Battle of Alghero. Giovanni had already asked to succeed the first doge of the Republic in December 1345 but had turn down the responsibility. [1]
Ceased office as doge on 6 March 1750, he did not retire to private life, but rather continued to serve the state machine even in the post-customs period. The former doge died on 22 July 1756 leaving his only heirs the nephews Giovan Battista and Giacomo Cattaneo Della Volta, sons of the already deceased brother, and former doge Nicolò.
Lorenzo Sauli (1535 in Genoa – 1601 in Genoa) was the 82nd Doge of the Republic of Genoa.. During his dogate Sauli had to face firsthand the issue related to the Marquisate of Finale, a small western Ligurian state linked to the Del Carretto family, and always in the expansionist aims of Genoa for its strategic and economic importance.
Nineteenth-century fresco probably intended to depict Simone Boccanegra, at Palazzo San Giorgio, Genoa. The humanist poet Petrarch wrote letters to the people of Genoa and to the doge of Venice appealing to them to end their fratricidal wars and find a common aim. These letters were among Verdi's inspirations for the revision of the opera in 1881.
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