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The commercially available version of the mash-ups that do not use the original performer's vocals have been noted. Additionally the songs marked with an asterisk (*) were released using only the first song's name. Also noted is the inclusion of any other element.
A mashup (also mesh, mash up, mash-up, blend, bastard pop [1] or bootleg [2]) is a creative work, usually a song, created by blending two or more pre-recorded songs, typically by superimposing the vocal track of one song seamlessly over the instrumental track of another and changing the tempo and key where necessary. [3]
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For the second of the evening and last surprise song mash-up of the tour, Swift paired together Speak Now’s “Long Live,” Reputation’s “New Year’s Day” and TTPD’s “The Manuscript ...
Taylor Swift. Marcelo Endelli/TAS23/Getty Images for TAS Rights Management Some Swifties have been luckier than others when it comes to the surprise songs set of Taylor Swift’s The Eras Tour.
Taylor Swift blended a "Tortured Poets Department" and a "Midnights" track at her Eras Tour stop in Toronto.
The mashup peaked at number 70 on Billboard ' s now defunct Pop 100 Airplay chart. [11] DJ Earworm continued to release his yearly mashup, "Blame It on the Pop" in 2009, "Don't Stop the Pop" in 2010, "World Go Boom" in 2011. The sixth year-end mashup, titled "Shine Brighter", was released on December 18, 2012. [12] The mashup was finished on ...
"Forever Country" is a 2016 mashup performed by Artists of Then, Now & Forever, a one-time gathering of 30 American country music artists. The song combines elements of three previous country hits: John Denver's "Take Me Home, Country Roads" (1971), Willie Nelson's "On the Road Again" (1979), and Dolly Parton's "I Will Always Love You" (1973).