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A hanging hamsa in Tunisia. The hamsa (Arabic: خمسة, romanized: khamsa, lit. 'five', referring to images of 'the five fingers of the hand'), [1] [2] [3] also known as the hand of Fatima, [4] is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings.
The hamsa hand with the eye holds significance for Christians, Muslims, and Jews. Learn from experts the hamsa's origins, symbolism, and how to use it. The Deeper Meaning Behind the Hamsa Hand ...
• Painted in vivid hues, mostly primary colors, with a predominance of red in the background, the paintings are characterised by the unbridled imagination of the local artisans who were not constrained by the academic rigour that characterised the more classical Tanjore painting and Mysore painting. For example, the artist hardly bothers ...
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Black Leaf on Green Background: 1952 Gouache decoupage Houston: Menil Collection: Blue Nude II: 1952 Gouache-painted paper cut-outs stuck to paper mounted on canvas 116.2 × 88.9 cm Paris: Centre Pompidou [a] The Black Woman: La Négresse: 1952/3 gouache découpée 55.3 × 46 cm Paris: Centre Pompidou [a] The Sorrows of the King: 1952 Gouache
The red triangle also appears in the Flag of Palestine, which was used during the 1936–1939 Palestinian revolt against British colonialism and Zionism. In a 1938 photograph, Palestinian rebels are seeing waving a black, white and green flag with a red triangle, and inside the red triangle there is a cross and crescent, symbolizing Muslim ...
Hongsa or Hansa is thought to refer to the bar-headed goose found in India (left) or a species of swan. [1]The Hongsa or Hansa (Sanskrit: हंस Hansa or hamsa) is an aquatic migratory bird, referred to in ancient Sanskrit texts which various scholars have interpreted as being based on the goose, the swan, [2] or even the flamingo.
The female figure is a black woman dressed in a red bodice similar to that worn by Metsu's wife Isabella de Wolff in a portrait he painted soon after their wedding in Enkhuizen in 1658. Like other contemporary Leiden fijnschilders, Metsu has chosen the subject of a niche or window to frame his subject. The popular motif generally includes a ...