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In other cases, however, it may be the word "plosive" that is restricted to the glottal stop. Generally speaking, plosives do not have plosion (a release burst). In English, for example, there are plosives with no audible release, such as the /p/ in apt. However, English plosives do have plosion in other environments.
In most dialects of English, the first stop of a cluster has no audible release, as in apt [ˈæp̚t], doctor [ˈdɒk̚tə], or logged on [ˌlɒɡ̚dˈɒn].Although such sounds are frequently described as "unreleased", the reality is that since the two consonants overlap, the release of the former takes place during the hold of the latter, masking the former's release and making it inaudible. [2]
While this is a minor phonetic detail in English (in fact, it is commonly transcribed as having no audible release: [ˈspɒt̚lɨs], [ˈmɪd̚l̩]), it may be more important in other languages. In most languages (as in English), laterally-released plosives are straightforwardly analyzed as biphonemic clusters whose second element is /l/.
Geordie English often uses glottal stops for t, k, and p, and has a unique form of glottalization. Additionally, there is the glottal stop as a null onset for English; in other words, it is the non-phonemic glottal stop occurring before isolated or initial vowels. Often a glottal stop happens at the beginning of vowel phonation after a silence. [1]
In linguistics, pre-stopping, also known as pre-occlusion or pre-plosion, is a phonological process involving the historical or allophonic insertion of a very short stop consonant before a sonorant, such as a short [d] before a nasal [n] or a lateral [l], or a short [p] before a nasal [m].
An anapodoton (from Ancient Greek ἀναπόδοτον anapódoton: "that which lacks an apodosis, that is, the consequential clause in a conditional sentence), plural anapodota, is a rhetorical device related to the anacoluthon; both involve a thought being interrupted or discontinued before it is fully expressed.
Title Original author Completing author(s) Notes The Assassination Bureau, Ltd: Jack London: Robert L. Fish [1]: London wrote 20,000 words, but could not come up with a logical ending.
Poets such as Alexander Pope, whose final, incomplete work was intended to be written in the form, [2] and John Keats, who complained that he relied too heavily on Milton, [3] adopted and picked up various aspects of his poetry.