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  2. Edgar Miller (artist) - Wikipedia

    en.wikipedia.org/wiki/Edgar_Miller_(artist)

    James Edgar Miller (1899–1993) was an American designer, painter, craftsman, master woodcarver and one of the nation's foremost stained-glass designers. He could sculpt and draw, and he was considered a pioneer in the use of graphic art in advertising.

  3. Stained glass - Wikipedia

    en.wikipedia.org/wiki/Stained_glass

    Download as PDF; Printable version; ... Stained glass is colored glass as a material or works ... the nature and size of the glass available and his or her own ...

  4. List of glass artists - Wikipedia

    en.wikipedia.org/wiki/List_of_glass_artists

    Irving Amen (1918-2011), stained glass; Gary Beecham (b. 1955) Howard Ben Tré (1949-2020) Martin Blank (b. 1962) Jean-Pierre Canlis (b. 1973) Frederick Carder (1863-1963) Ed Carpenter (b. 1946) Dale Chihuly (b. 1941) Deborah Czeresko (b. 1961) Dan Dailey (b. 1947) Fritz Dreisbach (b. 1941) Robert C. Fritz (1920-1986) Michael Glancy (1950-2020 ...

  5. British and Irish stained glass (1811–1918) - Wikipedia

    en.wikipedia.org/wiki/British_and_Irish_stained...

    One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]

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  7. Came glasswork - Wikipedia

    en.wikipedia.org/wiki/Came_glasswork

    Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]

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  9. Conservation and restoration of stained glass - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    However, in the case of stained glass, these efforts are complicated by the nature of the medium itself. This is because a stained-glass window is a 'complex object' in that it is made from more than one component material, each with its own inherent risks and conservation needs (Pye 2001, 80).

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