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The Britons (*Pritanī, Latin: Britanni, Welsh: Brythoniaid), also known as Celtic Britons [1] or Ancient Britons, were the indigenous Celtic people [2] who inhabited Great Britain from at least the British Iron Age until the High Middle Ages, at which point they diverged into the Welsh, Cornish, and Bretons (among others). [2]
Anglo-Saxons" or "Britons" were no more homogeneous than nationalities are today, and they would have exhibited diverse characteristics: male/female, old/young, rich/poor, farmer/warrior—or even Gildas' patria (fellow citizens), cives (indigenous people) and hostes (enemies)—as well as a diversity associated with language.
Celtic art is generally used by art historians to refer to art of the La Tène period across Europe, while the Early Medieval art of Britain and Ireland, that is what "Celtic art" evokes for much of the general public, is called Insular art in art history. Both styles absorbed considerable influences from non-Celtic sources, but retained a ...
Some have suggested that attributing the origin of 'Britain' to the Latin 'Brutus' may be ultimately derived from Isidore of Seville's popular 7th-century work Etymologiae (c. 560–636), in which it was speculated that the name of Britain comes from bruti, on the basis that the Britons were, in the eyes of that author, brutes, or savages. [1]
View of the ramparts of the hillfort of Maiden Castle (450 BC), as they look today The Battersea Shield (detail), 350 BC. [19] The Iron Age is conventionally said to begin around 800 BC. At this time, the Britons or Celtic Britons were settled in England. The Celtic people of early England were the majority of the population, beside other ...
The Early Medieval art of Britain and Ireland, which produced the Book of Kells and other masterpieces, and is what "Celtic art" evokes for much of the general public in the English-speaking world, is called Insular art in art history. This is the best-known part, but not the whole of, the Celtic art of the Early Middle Ages, which also ...
In modern times, the term "Anglo-Saxons" is used by scholars to refer collectively to the Old English speaking groups in Britain. As a compound term, it has the advantage of covering the various English-speaking groups on the one hand, and to avoid possible misunderstandings from using the terms "Saxons" or "Angles" (English), both of which terms could be used either as collectives referring ...
The Glasgow School, which developed in the late 19th century, and flourished in the early 20th century, produced a distinctive blend of influences including the Celtic Revival the Arts and Crafts Movement, and Japonisme, which found favour throughout the modern art world of continental Europe and helped define the Art Nouveau style.