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It explores and examines both the micro to macro levels of interaction; from relationships of death upon individuals to its process across society. [3] [4] The precise characterisation of the sociology of death is debated, but primarily revolves around the idea that death is a social construct. Experiences both as an audience and participant of ...
Melancholy by Domenico Fetti (1612). Death, suffering and meaninglessness are the main themes of philosophical pessimism. Philosophical pessimism is a philosophical tradition which argues that life is not worth living and that non-existence is preferable to existence.
In social theory, reflexivity may occur when theories in a discipline should apply equally to the discipline itself; for example, in the case that the theories of knowledge construction in the field of sociology of scientific knowledge should apply equally to knowledge construction by sociology of scientific knowledge practitioners, or when the subject matter of a discipline should apply ...
Social death, sometimes referred to as social suicide, is the condition of people not accepted as fully human by wider society. It refers to when someone is treated as if they are dead or non-existent. [ 1 ]
Simulacra and Simulation (French: Simulacres et Simulation) is a 1981 philosophical treatise by the philosopher and cultural theorist Jean Baudrillard, in which he seeks to examine the relationships between reality, symbols, and society, in particular the significations and symbolism of culture and media involved in constructing an understanding of shared existence.
Necropolitics is a sociopolitical theory of the use of social and political power to dictate how some people may live and how some must die. The deployment of necropolitics creates what Achille Mbembe calls deathworlds, or "new and unique forms of social existence in which vast populations are subjected to living conditions that confer upon them the status of the living dead."
In her 1970 book Meaning and Expression: Toward a Sociology of Art, Hanna Deinhard gives one approach: "The point of departure of the sociology of art is the question: How is it possible that works of art, which always originate as products of human activity within a particular time and society and for a particular time, society, or function -- even though they are not necessarily produced as ...
Mortality salience is highly manipulated by one's self-esteem. People with low self-esteem are more apt to experience the effects of mortality salience, whereas people with high self-esteem are better able to cope with the idea that their death is uncontrollable.