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Mystic Crucifixion is a c. 1500 oil on canvas and egg tempera painting by the Florentine Renaissance master Sandro Botticelli (c. 1445-1510) . Painted during the part of his career when he came under the influence of the Dominican friar Girolamo Savonarola (though after the cleric had already been burnt at the stake), the work has been seen as a statement upon the state of Florence itself.
Philadelphia Museum of Art: Virgin and Child with the Infant St. John the Baptist: 1490–1500: Tempera on panel: diameter 74 cm: São Paulo Museum of Art: Holy Trinity: 1491–1493: Tempera on panel: 215 × 192 cm: London, Courtauld Institute of Art: Virgin and Child with St. John the Baptist: 1491–1493: Tempera on panel: 47.65 × 38.1 cm ...
The Man of Sorrows is a tempera and oil on panel painting of Jesus Christ by the Florentine artist Sandro Botticelli (1445–1510), thought to have been painted sometime between 1500 and 1510. [1] The work depicts Jesus in a crown of thorns with his hands and wrists bound by rope.
Wikidata:WikiProject sum of all paintings/Main subject/Crucifixion of Jesus Metadata This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.
The crucifixion of Jesus is one of the most illustrated events in human history.. For centuries, artists have reimagined it as a form of remembrance and as a means to convey the story of brutality ...
The Mystical Nativity is a painting in oil on canvas executed c. 1500–1501 by the Italian Renaissance master Sandro Botticelli, in the National Gallery in London. [1] [2] It is his only signed work and has an unusual iconography for a painting of the Nativity.
The Temptations of Christ depicts three episodes from the gospels, in parallel with the painting on the opposite wall, also by Botticelli, showing the Trials of Moses.A frieze, similar to that beneath the other frescos, has the inscription TEMPTATIO IESU CHRISTI LATORIS EVANGELICAE LEGIS ("The Temptations of Christ, Bringer of the Evangelic Law").
The Crucifixion with Saint Mary Magdalene is a c. 1502–1505 painting in tempera on canvas by Luca Signorelli, now in the Uffizi in Florence. It is usually held to be a late autograph work. It is usually held to be a late autograph work.
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