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The Mask of Agamemnon was created from a single thick gold sheet, heated and hammered against a wooden background with the details chased on later with a sharp tool. [6] Following his discoveries at the site, Schliemann notified King George of Greece. [7] He is supposed to have told the king in a telegraph, "I have gazed upon the face of ...
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
Silanion (Ancient Greek: Σιλανίων, gen. Σιλανίωνος) was the best-known of the Greek portrait-sculptors working during the fourth century BC. [1] Pliny gives his floruit as the 113th Olympiad , that is, around 328–325 BCE ( Natural History , 34.51), and records he had no famous teacher.
Gorgon blood was said to have both the power to heal and harm. Representations of full-bodied Gorgons and the Gorgon face, called a gorgoneion (pl. gorgoneia), were popular subjects in Ancient Greek, Etruscan and Roman iconography. While Archaic Gorgons and gorgoneia are universally depicted as hideously ugly, over time they came to be ...
The death mask of 18th century sailor Richard Parker Golden funeral mask of Tutankhamun Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask. A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from ...
The comedy and tragedy masks are a pair of masks, one crying and one laughing, that have widely come to represent the performing arts. Originating in the theatre of ancient Greece , the masks were said to help audience members far from the stage to understand what emotions the characters were feeling.
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Melpomene (/ m ɛ l ˈ p ɒ m ɪ n iː /; Ancient Greek: Μελπομένη, romanized: Melpoménē, lit. 'to sing' or 'the one that is melodious') is the Muse of tragedy in Greek mythology . She is described as the daughter of Zeus and Mnemosyne (and therefore of power and memory) along with the other Muses, and she is often portrayed with a ...
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