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Cahill U.S. Marshal is a 1973 American Western film in Technicolor [2] starring John Wayne as a driven lawman in a black hat. The film was directed by Andrew V. McLaglen [ 3 ] [ 4 ] and filmed on location in Durango , Mexico.
Grimes' other film credits include Cahill U.S. Marshal (1973) alongside John Wayne, The Spikes Gang (1974) with Lee Marvin, Ron Howard, and Charles Martin Smith, and the cult Disney film Gus (1976), about a mule that kicks field goals. He was offered a TV series during that period, but turned it down. [2]
Big Jake is a 1971 American Technicolor Western film starring John Wayne, Richard Boone and Maureen O'Hara.The picture was the final film for George Sherman in a directing career of more than 30 years, and Maureen O'Hara's last film with John Wayne and her last before her twenty-year retirement.
According to 20th Century-Fox studio records, the film required $12,425,000 ($12.4 million dollars) in rentals to break even, but by December 11, 1970, the film had made only $8,775,000 ($8.8 million dollars) which resulted in a loss at first for the movie studio (in the short run / initial period of the one cited year (November 1969-December ...
Cahill U.S. Marshal; Cast a Giant Shadow; China Doll (film) Chisum; E. Escort West; G. Good-bye, My Lady (film) The Green Berets (film) Gun the Man Down; H. The High ...
Red Cahill, character in the In The Heat of the Night second-season episode "Walkout" [6] J. D. Cahill, title character in the 1973 movie Cahill U.S. Marshal [7] Alex Cahill, main character in Walker, Texas Ranger portrayed by Sheree J. Wilson; Dr. Cahill, character in Futurama; Jordan Cahill, character from Stuck in the Suburbs played by Taran ...
By the time Forgetting Sarah Marshall opened in theaters, Segel had just under 3 seasons of How I Met Your Mother to his credit. He was practically a household name, and as a household name, he ...
The Man Who Shot Liberty Valance (/ ˈ v æ l ə n s /) is a 1962 American Western film directed by John Ford and starring John Wayne and James Stewart.The screenplay by James Warner Bellah and Willis Goldbeck was adapted from a 1953 short story written by Dorothy M. Johnson.