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The earliest surviving chaitya arch, at the entrance to the Lomas Rishi Cave, 3rd century BC. In Indian architecture, gavaksha or chandrashala (kudu in Tamil, also nāsī) [1] are the terms most often used to describe the motif centred on an ogee, circular or horseshoe arch that decorates many examples of Indian rock-cut architecture and later Indian structural temples and other buildings.
Croesus replaced all the electrum coins by gold and silver coins using a single coin type: the facing foreparts of a lion and a bull. [1] Compared to later copies made by the Achaemenids, the original Croeseid use a more natural rendering of the two animals. [1] The reverse was struck with two incuse squares. [1] The coins were minted in Sardis ...
Already in 1899, Cumont had identified the tauroctony as "the imitation of the motif of the classical Greek group of Nike sacrificing a bull", [17] but supposed that both tauroctony scenes were attributable to 2nd century BCE Pergamene artistic traditions. [18] [19] This notion has been characterized as one of Cumont's "least happy hypotheses ...
This type of cattle motif is shown on the stucco fresco in the North Entrance of the palace. Additionally, Jordan Wolfe, of Furman University, explains how the act of bull-leaping is especially significant to Minoan culture because it highlights man's dubious mastery of nature. [4] The Circus Sports are to be contrasted to bull-catching.
Much later, in Abrahamic religions, the bull motif became a bull demon or the "horned devil" in contrast and conflict to earlier traditions. The bull is familiar in Judeo-Christian cultures from the Biblical episode wherein an idol of the golden calf ( Hebrew : עֵגֶּל הַזָהָב ) is made by Aaron and worshipped by the Hebrews in the ...
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Other examples of bull-leaping scenes have been found in Syria, such as a cylinder seal impression found in level VII at Alalakh (Old Babylonian period, 19th or 18th century BC) showing two acrobats performing handstands on the back of a bull, with an ankh sign placed between them, another seal belonging to a servant of Shamshi-Adad I (c. 1800 ...