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Film-out of standard-definition video – or any source that has an incompatible frame rate – is the up-conversion of video media to film for theatrical viewing. The video-to-film conversion process consists of two major steps: first, the conversion of video into digital film frames which are then stored on a computer or on HD videotape; and secondly, the printing of these digital film ...
When video from a telecine is ingested into these systems, the operator usually has available a telecine trace, in the form of a text file, which gives the correspondence between the video material and film original. Alternatively, the video transfer may include telecine sequence markers burned in to the video image along with other identifying ...
A film to HD video transfer machine was introduced, novel in that the HD camera was not part of the transfer machine but mounted on it. An upgrade would be easy, just change the HD camera, the film transport deck stayed the same. A fiber optic–based 35 mm ground glass to video chip reducer was patented and sold to a competitor.
Panasonic AJ-D455 VCR for professional video use with IEEE 1394 port and DV capability. Nearly all DV camcorders and decks have IEEE 1394 (FireWire, i.LINK) ports for digital video transfer. This is usually a two-way port, so that DV video data can be output to a computer (DV-out), or input from either a computer or another camcorder (DV-in ...
The transition from film to digital video was preceded by cinema's transition from analog to digital audio, with the release of the Dolby Digital (AC-3) audio coding standard in 1991. [1] Its main basis is the modified discrete cosine transform (MDCT), a lossy audio compression algorithm. [2]
The film format is similar to the super 8 mm format, but without the Polavision tabletop viewer the only way a Polavision film can be shown is by destroying the cartridge and projecting the removed film with an ordinary super 8 mm projector or transferring it to video with a telecine system.
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Pan and scan is an important process to optimise the film presentation for home viewing and television. For HDTV, a combination of zooming and cropping is done to a portion of a frame, usually in accordance to the most important details in a shot. Pan and scan can be done on a scope (2.40:1) master for a film, or even the open matte version.
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