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A Handbook of Greek Vase Painting. Sparks, NV: Falcon Hill Press, 1995. Mitchell, Alexandre G. Greek Vase-Painting and the Origins of Visual Humour. New York: Cambridge University Press, 2009. Noble, Joseph Veach. The Techniques of Painted Attic Pottery. New York: Watson-Guptill, 1965. Oakley, John Howard. The Greek Vase: Art of the Storyteller ...
This calyx krater was made in the Classical Period of ancient Greece ca. 460–450 BCE. [4] It is a red-figure vase made of terracotta and attributed to the painter of the Berlin Hydria. [4] The vase is from the region of Attika and is 21.9375 in (55.8) cm high and 22.9375 in (58.3) cm in diameter. [4]
Corpus Vasorum Antiquorum ("corpus of ancient vases"; abbreviated CVA) is an international research project for documentation of ancient ceramics.Its original ideal target content: any ceramic from any ancient location during any archaeological period, proved impossible of realization and was soon restricted to specific times and periods.
Two plundered marble vases that marked ancient Athenians' graves more than 2,000 years ago, including one with an emotional family scene, have been returned to Greece from Switzerland. Greece's ...
The Euphronios Krater (or Sarpedon Krater) is an ancient Greek terra cotta calyx-krater, a bowl used for mixing wine with water. Created around the year 515 BC, it is the only complete example of the surviving 27 vases painted by the renowned Euphronios and is considered one of the finest Ancient Greek vases in existence. [1]
A krater or crater (Ancient Greek: κρᾱτήρ, romanized: krātḗr, lit. 'mixing vessel', IPA: [kraː.tɛ̌ːr]; Latin: crātēr, IPA: [ˈkraː.teːr]) was a large two-handled type of vase in Ancient Greek pottery and metalwork, mostly used for the mixing of wine with water.
The British Museum has lent for the first time in 250 years an ancient Greek water vase, the Meidias hydria, to the Acropolis Museum in Athens for an exhibition which begins this week and runs ...
The endeavour by archaeologists to match vase forms with those names that have come down to us from Greek literature began with Theodor Panofka’s 1829 book Recherches sur les veritables noms des vases grecs, whose confident assertion that he had rediscovered the ancient nomenclature was quickly disputed by Gerhard and Letronne.
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