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Franz Reichelt (16 October 1878 – 4 February 1912), also known as Frantz Reichelt [1] or François Reichelt, was an Austro-Hungarian-born [2] French tailor, inventor and parachuting pioneer, now sometimes referred to as the Flying Tailor, who is remembered for jumping to his death from the Eiffel Tower while testing a wearable parachute of his own design.
The first tests, using dummies, favored Floyd Smith's parachute design. This winning design was further developed and merged key features into the "Type A" parachute: a soft pack worn on the back; a rip cord to deploy the parachute; and a spring-assisted pilot chute to aid in main parachute deployment. [13]
The earliest evidence for the true parachute dates back to the Renaissance period. [2] The oldest parachute design appears in a manuscript from the 1470s attributed to Francesco di Giorgio Martini (British Library, Add MS 34113, fol. 200v), showing a free-hanging man clutching a crossbar frame attached to a conical canopy.
Renaissance art (1350 – 1620 [1]) is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. [2]
Benedetto Varchi, by Titian. Paragone (Italian: paragone, meaning comparison), was a debate during the Italian Renaissance in which painting and sculpture (and to a degree, architecture) were each championed as forms of art superior and distinct to each other. [1]
Science and art were intermingled in the early Renaissance, with polymath artists such as Leonardo da Vinci making observational drawings of anatomy and nature. Leonardo set up controlled experiments in water flow, medical dissection, and systematic study of movement and aerodynamics, and he devised principles of research method that led ...
Masaccio (UK: / m æ ˈ s æ tʃ i oʊ /, US: / m ə ˈ s ɑː tʃ i oʊ, m ə ˈ z ɑː tʃ (i) oʊ /; [1] [2] [3] Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.
Renaissance sculpture took as its basis and model the works of classical antiquity and its mythology, with a new vision of humanist thought and the function of sculpture in art. As in Greek sculpture, the naturalistic representation of the naked human body was sought with a highly perfected technique, thanks to the meticulous study of human ...