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Mand or Maand (Hindi: मांड गायकी) is a style of singing in Rajasthan, used in folk songs.It is similar to the thumri and the ghazal.. Well known Mand singers include Allah Jilai Bai from Bikaner (awarded Padma Shri-1982 and Sangeet Natak Akademi Award-1988 in Folk Music), Mangi Bai Arya from Udaipur (awarded Sangeet Natak Akademi Award-2008 in Folk Music), and Gavari Bai from ...
The word sangeet is Sanskrit for "sung together." A sangeet ceremony is a traditional Punjabi and North Indian prewedding ceremony involving lots of festive dancing and celebratory songs. According to Sen, "it is traditionally recognized as a prewedding custom only in many parts of North India.
Bhawaiya is a musical form or a popular folk music that originated in Northern Bengal, especially the Rangpur Division in Bangladesh, Cooch Behar district of West Bengal, India, and the undivided Goalpara district of Assam, India.
Bharatiya Grameen Mahila Sangh or BGMS (National Association of Rural Women India), founded in 1955, is a non-political and non-sectarian national organization with branches all over India, in 14 states and union territories.
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Taan (Hindi: तान, Urdu: تان) is a technique used in the vocal performance of a raga in Hindustani classical music.It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo.
The Times of India uses both Prabhat Samgiita [9] and Prabhat Sangeet. [14] Most other newspapers spell Prabhat Sangeet , though some articles prefer Prabhat Sangit and Prabhata Samgiita. Publications of Ananda Marga usually goes by the spelling Prabháta Saḿgiita and also often by Prabhát Saḿgiita and Prabhát Saḿgiit . [ 15 ]
Sandhya Purecha (b. 29 December 1965) is a senior Bharatanatyam exponent, Author and renowned practitioner of Indian classical dance. [1] She is the first person to bring on stage the performance in Bharatnatyam style of the entire Abhinaya Darpan dance treatise as defined by Nandikeshwara in Abhinaya Darpan and as choreographed by her Guru Parvati Kumar.