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Donnelly cites Mark Brownrigg as stating that Shore's score "marks a homology between [Wagner's] nibelungen and the Orcs", commenting that the parallel makes Shore's use of Wagner-style leitmotifs "apt". [59] He is less certain of the appropriateness of the use of sounds from the Maghreb and the Arab world more generally for themes representing ...
The first section is the most recognizable and is built around the titular Hedwig's Theme, which John Williams uses as a leitmotif to represent the magical world. [4] The second section is built around the faster "Nimbus" theme, which Williams uses as a leitmotif to represent Harry's broomstick, the Nimbus 2000 , and more generally, to ...
The group composed the fascistic-inspired Panem national anthem, entitled "Horn of Plenty", a leitmotif appearing throughout the film. [8] [9] "We were interested in making music that would be more integral in the movie, just as a mental exercise," Butler, who co-wrote the song with Chassagne, explained. "And there's an anthem that runs ...
The use of characteristic, short, recurring motifs in orchestral music can be traced back to the early seventeenth century, such as L'Orfeo by Monteverdi.In French opera of the late eighteenth century (such as the works of Gluck, Grétry and Méhul), "reminiscence motif" can be identified, which may recur at a significant juncture in the plot to establish an association with earlier events.
Note: The "lost overture" to King Kong (1933), which first premiered on the channel Turner Classic Movies in 2005 and was released on DVD that same year, is in fact a montage of music recordings from the film spliced together for that specific release. There was no overture in the original release.
In order to distance his version of Bond from Sean Connery's, Roger Moore did not order a martini. [185] The martini was present in the first Ian Fleming novel, Casino Royale, where Bond eventually named it "The Vesper", after Vesper Lynd. The same recipe was then used for the 2006 film of the novel, with the martini ordered by Daniel Craig's Bond.
By contrast, the background music that cannot be heard by the characters in the movie is termed non-diegetic or extradiegetic. An example of this is in Rocky , where Bill Conti 's " Gonna Fly Now " plays non-diegetically as Rocky makes his way through his training regimen, finishing on the top steps of the Philadelphia Museum of Art with his ...