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By the end of the 1970s, subwoofers were used in dance venue sound systems to enable the playing of "[b]ass-heavy dance music" that we "do not 'hear' with our ears but with our entire body". [ 3 ] One challenge with getting deep sub-bass was that in the era of vinyl records, "to get as much music as possible on a record, recording engineers ...
The LFE channel delivers bass-only information to supplement the overall bass content. The LFE channel content is not the same as the content of a subwoofer-out jack. The LFE channel is used to carry additional bass information in the surround sound programming, while the subwoofer output is bass information from up to all six channels that has ...
As shown in the bass management block diagram, a 5.1-channel audio system consists of five discrete, full-range main channels (front left, center, front right, surround left, and surround right), plus a band-limited low-frequency effects (LFE) channel for added bass (this corresponds to the .1).
The drivers in the Sensurround horns were improved to extend their frequency response higher so they could reproduce the low notes in music, thus allowing sound mixers to incorporate music into the Sensurround system (this was used to good effect in Rollercoaster.) Advancements by RCA in optical soundtrack recording led MCA engineers to the ...
In popular music, the bass part, which is called the "bassline", typically provides harmonic and rhythmic support to the band. The bass player is a member of the rhythm section in a band, along with the drummer, rhythm guitarist, and, in some cases, a keyboard instrument player (e.g., piano or Hammond organ). The bass player emphasizes the root ...
Dub techno is a subgenre of electronic music that originated in the early 1990s, blending the repetitive, minimal structures of techno with the echo-laden, spacey production techniques of dub music. It is notable for its deep, atmospheric soundscapes, layers of elaborate basslines , slowly developing musical phrases featuring heavy delay and ...
The Aphex aural exciter was one of the first exciter effects. The effect was developed in the mid-1970s by Aphex Electronics. The aural exciter adds phase shift and musically related synthesized harmonics to audio signals. The first Aural Exciter units were available in the mid-1970s, exclusively on the rental basis of $30 per minute of ...
Examples of resonating type bass traps include a rigid container with one or more portholes or slots (i.e. Helmholtz resonator), or a rigid container with a flexible diaphragm (i.e. membrane absorber). Resonating type bass trap achieves absorption of sound by sympathetic vibration of some free element of the device with the air volume of the room.
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