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Disinformation rhetoric tries to undermine science and sway public opinion by using a "doubt strategy". Reframing the normal scientific process, disinformation often suggests that anything less than 100% certainty implies doubt, and that doubt means there is no consensus about an issue.
Samuel Taylor Coleridge, a philosopher and poet known for his influence on English literature, coined the turn-of-phrase and elaborated upon it.. Suspension of disbelief is the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for ...
Yet the industry actively suppressed that research, while simultaneously secretly funding external groups to aggressively deny the science of climate change and sow doubt. These efforts have ...
He says that uncertainty and doubt in science are a good thing, because it always keeps the door open for further investigation. [1] The lecture is structured around three topics: the activity of "doing" science, the body of scientific knowledge, and the application of science, which Feynman covers in reverse order.
Snow Crash is a science fiction novel by the American writer Neal Stephenson, published in 1992.Like many of Stephenson's novels, its themes include history, linguistics, anthropology, archaeology, religion, computer science, politics, cryptography, memetics, and philosophy.
"A science fiction story is a story built around human beings, with a human problem, and a human solution, which would not have happened at all without its scientific content." [13] Basil Davenport. 1955. "Science fiction is fiction based upon some imagined development of science, or upon the extrapolation of a tendency in society." [14] Edmund ...
Soft science fiction, or soft SF, is a category of science fiction with two different definitions, in contrast to hard science fiction. [1] It explores the "soft" sciences (e.g. psychology , political science , sociology ), as opposed to the "hard" sciences (e.g. physics , astronomy , biology ). [ 1 ]
Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё) is a narrative principle that states that every element in a story must be necessary and irrelevant elements should be removed. For example, if a writer features a gun in a story, there must be a reason for it, such as it being fired some time later in the plot.