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The chromatic expansion of tonality which characterizes much of nineteenth century music is illustrated in miniature by the substitution of a chromatic harmony for an expected diatonic harmony. This technique resembles the deceptive cadence, which involves the substitution of another diatonic chord for the expected diatonic goal harmony.
Chromatic button accordion; Classification: Free-reed aerophone: Playing range; Right-hand manual: The Russian bayan and chromatic button accordions have a much greater right-hand range in scientific pitch notation than an accordion with a piano keyboard: five octaves plus a minor third (written range = E2-G7, actual range = E1-D9, some have a 32 ft Register on the Treble to go even lower down ...
A melodeon or diatonic button accordion is a member of the free-reed aerophone family of musical instruments. It is a type of button accordion on which the melody -side keyboard contains one or more rows of buttons, with each row producing the notes of a single diatonic scale .
The diatonic button accordion is the most popular type of button accordion, and appears in many cultures, especially in folk music. [3] One popular type of diatonic button accordion is the standard, one-row button accordion. This is tuned to a diatonic, 2.5 octave scale.
Accordion, Chromatic button accordion, Bayan, Diatonic button accordion, Piano accordion, Stradella bass system, Free-bass system, Accordion reed ranks and switches The bayan (Russian: бая́н , IPA: [bɐˈjan] ) is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century ...
The British chromatic accordion, the favoured diatonic accordion in Scotland. While the right hand is bisonoric, the left hand follows the Stradella system. The elite form of this instrument is generally considered the German manufactured Shand Morino, produced by Hohner with the input of Sir Jimmy Shand [27]
Despite efforts by accordion performers and organizations to present the accordion as a serious instrument to the classical music world, the much-coveted breakthrough into the mainstream of serious musical circles did not take place until after leading accordionists more or less abandoned the stradella-bass accordion (an instrument limited to ...
In 1920s the special government commission took several researches and finally decided that all handicraftsmen had to unite into centralized cooperative factories (artels) and must produce only three types of button accordions: khromka, bayan (chromatic button accordion) and the Russian modification of a German bisonoric diatonic accordion ...