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Gallery of Beauties The Nymphenburg Palace seen from its park. The Gallery of Beauties (German: Schönheitengalerie) is a collection of 38 portraits of the most beautiful women from the nobility and bourgeoisie of Munich, Germany, gathered by King Ludwig I of Bavaria in the south pavilion of his Nymphenburg Palace. [1]
Adrienne (painting) Alicia Markova "The Dying Swan" Aline Chassériau; Equestrian Portrait of Maria Amalia of Saxony; American Collectors (Fred and Marcia Weisman) Amrita Sher-Gil Self Portrait (1931) Amrita Sher-Gil Self-Portrait 7 (1930) Portrait of My Wife, the Painter Anna Ancher; Antea (Parmigianino) Arab Woman (watercolor) L'Arlésienne ...
La Belle Strasbourgeoise is the most famous of the circa 1,500 portrait paintings by Largillière, and arguably the most iconic work in the Strasbourg museum. The identity of the depicted woman is unknown: she may be someone from the Strasbourg bourgeoisie, or a young Parisian in disguise (Strasbourg had become part of France only 22 years prior, in 1681), or the painter's own sister, Marie ...
The Mont-Saint-Michel Island, depicted in the famous painting of the same name by James Webb in 1857, is a famous tourist destination. Its history dates back to the 8th century. Bishop Aubert ...
In 1909, the art collector Comtesse de Béhague gave the portrait its current frame, [129] a Renaissance-era work consistent with the historical period of the Mona Lisa. The edges of the painting have been trimmed at least once in its history to fit the picture into various frames, albeit no part of the original paint layer has been trimmed. [85]
Egyptian Fellah Woman with her Child, at and by Elisabeth Jerichau-Baumann Adoration of the Magi , by Fra Angelico and Filippo Lippi (edited by Coldcreation ) The Denial of St. Peter , at and by Gerard Seghers
Few would argue against the fact that the Renaissance period produced some of the most beautiful art the world has ever seen. Artists like Leonardo da Vinci, Michelangelo, and Raphael would spend ...
The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 4] Sleeping Woman: 1930 Man Ray Paris, France [s 2] See article Behind the Gare Saint-Lazare: 1932 Henri Cartier-Bresson: Paris, France 35 mm [s 1] [s 2] [s 3]
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