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It is often known in English as the Arabian Nights, from the first English-language edition (c. 1706–1721), which rendered the title as The Arabian Nights' Entertainment. [2] The work was collected over many centuries by various authors, translators, and scholars across West Asia, Central Asia, South Asia, and North Africa.
The Book of the Thousand Nights and a Night (1888), subtitled A Plain and Literal Translation of the Arabian Nights Entertainments, is the only complete English language translation of One Thousand and One Nights (the Arabian Nights) to date – a collection of Middle Eastern and South Asian stories and folk tales compiled in Arabic during the Islamic Golden Age (8th−13th centuries) – by ...
The naqus (Arabic: ناقوس, romanized: nāqūs) is a percussion musical instrument, and under that name there are a set of traditions associated with Islamic-Christian relations. It can either be a bell or a wooden plank; in the latter form, it is similar to the semantron .
"Abou Hassan" is one of the Arabian Nights. It concerns Abú al-Hasan-al-Khalí'a (Abou Hassan), a young merchant of Baghdad who is conveyed while asleep to the palace of Haroun-al-Raschid, and on awakening is made to believe that he is in truth the Caliph. [1]
The roc appears in Arab geographies and natural history, popularized in Arabian fairy tales and sailors' folklore. Ibn Battuta tells of a mountain hovering in the air over the China Seas, which was the roc. [ 1 ]
Arabic music (Arabic: الموسيقى العربية, romanized: al-mūsīqā l-ʿarabiyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects , with each country and region having their own traditional music .
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Further references to the Arabian Nights are expressed in parallels with the stories of Khudâdâd and His Brothers, 'Alâ' al-Dîn, and the History of the Princess of Daryâbâr. Whereas the Arabian Nights focuses on the narrative themes of providence and destiny, Voltaire substituted the interference of divine power with human intervention.