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The Vietnamese term bụi đời ("life of dust" or "dusty life") refers to vagrants in the city or, trẻ bụi đời to street children or juvenile gangs. From 1989, following a song in the musical Miss Saigon, "Bui-Doi" [1] [2] came to popularity in Western lingo, referring to Amerasian children left behind in Vietnam after the Vietnam War.
Bụi đời Chợ Lớn Phong bụi [13] 2013: Tèo em Tí: held the record for highest grossing Vietnamese film of all time until Vengeful Heart dethroned it in 2014 [14] 2014: Irumbu Kuthirai (Iron Horse) Don Stoney: Biker, Indian Tamil Language film 2014: Để Mai tính 2: Peddler: 2016: Fanatic (Fan cuồng) Gia Nghị: 2017
Bụi đời (term) → Bụi đời – The recent move fails WP:PRECISION. Bụi đời redirects here, even if the song is the "primary" use of "Bui doi", this article is not titled "Bui doi". Bui doi should redirect to the musical, or be a two-pages DAB , but there's no valid reason to disambiguate this page as "Bụi đời" is not a ...
Adapted from Lê Bầu's short story 'Bụi đời' 13 Dec [121] Mây mưa mau tạnh (Cloudy Rain Stopped Quickly) 1 VTV Film Prod. Drama 20 Dec [122] [123] Giọt nắng cuối chiều (Sun Drop in Late Afternoon) 1 (72′) VTV Film Prod.
Gangnam Blues (Korean: 강남 1970; lit. Gangnam 1970) is a 2015 South Korean neo-noir action film [2] [3] written and directed by Yoo Ha, and starring Lee Min-ho and Kim Rae-won.
Harry B. Harris Jr., who is of mixed Japanese and European ancestry, is an Amerasian who served as the 23rd United States Ambassador to South Korea. According to one estimate, around 5,000 to 10,000 Amerasian babies had been born in Japan from 1945 to 1952. [17]
Cát bụi (Sand and dust) Chiếc lá thu phai (The withering fall leaf) Chiều một mình qua phố (An afternoon promenade of solitude) Chiều trên quê hương tôi (An afternoon in my homeland) Chỉ có ta trong cuộc đời (Only me in life) Chìm dưới cơn mưa (Sunk under the rain) Chính Chúng Ta Phải Nói (We ourselves ...
The American scholar Gina Marchetti noted a tendency for American films and television when dealing with the Bụi đời children to "annihilate the mothers". Marchetti wrote in nearly all American productions, the Vietnamese mothers of these children are either dead or ended up dying while the exclusive responsibility of raising these ...