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This creature was called "Ma Nin Mangkorn" (Thai: ม้านิลมังกร, "ceylonite dragon horse"), it is depicted as it has diamond fangs, ceylonite scales, and a birthmark on the tongue. It was a mixture of horse, dragon, deer antlers, fish scales, and Phaya Nak tail, with has black sequins all over. Its appearance resembles a qilin.
A longma (lower left corner) on a rubbing from the Wu Liang shrines' reliefs. Longma or "dragon horse" connects with other creatures in Chinese folklore.While longma sometimes applies to the Qilin, [13] the closest relative is the legendary tianma 天馬 "heavenly horse" or the "Chinese Pegasus", which was metaphorically identified with the hanxuema 汗血馬 "blood-sweating horse" or Ferghana ...
The Horses of Neptune, illustration by Walter Crane, 1893.. Horse symbolism is the study of the representation of the horse in mythology, religion, folklore, art, literature and psychoanalysis as a symbol, in its capacity to designate, to signify an abstract concept, beyond the physical reality of the quadruped animal.
A depiction of Sigurð slaying Fáfnir on the right portal plank from Hylestad Stave Church, the so-called "Hylestad I", from the second half of the 12th century [1]. In Germanic heroic legend and folklore, Fáfnir is a worm or dragon slain by a member of the Völsung family, typically Sigurð.
An early appearance of the Old English word dracan (oblique singular of draca) in Beowulf [1]. The word dragon entered the English language in the early 13th century from Old French dragon, which, in turn, comes from Latin draco (genitive draconis), meaning "huge serpent, dragon", from Ancient Greek δράκων, drákōn (genitive δράκοντος, drákontos) "serpent".
Dragon of Hayk: Symbol of Hayk Nahapet and Haykaznuni dynasty in Armenia. Usually depicted as seven-headed serpent. Levantine dragons Yam: The god of the sea in the Canaanite pantheon from Levantine mythology. Lotan: A demonic dragon reigning the waters, a servant of the sea god Yam defeated by the storm god Hadad-Baʿal in the Ugaritic Baal Cycle.
The iconography of military saints Theodore, George and Demetrius as horsemen is a direct continuation of the Roman-era "Thracian horseman" type iconography.The iconography of the dragon appears to grow out of the serpent entwining the "tree of life" on one hand, and with the draco standard used by late Roman cavalry on the other.
The European dragon is a legendary creature in folklore and mythology among the overlapping cultures of Europe.. The Roman poet Virgil in his poem Culex lines 163–201, [1] describing a shepherd battling a big constricting snake, calls it "serpens" and also "draco", showing that in his time the two words probably could mean the same thing.