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Let It Be is the third studio album by American rock band the Replacements.It was released on October 2, 1984, by Twin/Tone Records.A post-punk album with coming-of-age themes, Let It Be was recorded by the band after they had grown tired of playing loud and fast exclusively as on their 1983 Hootenanny album; the group decided to write songs that were, according to vocalist Paul Westerberg, "a ...
The band recorded a four-song demo tape in Mars's basement; [23] Westerberg handed it to Peter Jesperson in May 1980. [24] Jesperson was the manager of Oar Folkjokeopus, a punk rock record store in Minneapolis; [25] he also founded Twin/Tone Records with Paul Stark (a local recording engineer) and Charley Hallman.
The Replacements’ first and only LP as a Bob Stinson-less trio was largely tracked with producer Jim Dickinson at Memphis’ Ardent Studios, where heroes Alex Chilton and Big Star had recorded ...
"Can't Hardly Wait" is a song by American rock band the Replacements from their fifth studio album Pleased to Meet Me. Written shortly after the sessions for Let It Be, the song was attempted for the 1985 Tim album but ultimately went unreleased until Pleased to Meet Me.
Pleased to Meet Me is the only album recorded by the band as a trio. After their previous album Tim, guitarist Bob Stinson was no longer with the band. Stinson was still a member when the album's demos were recorded in August 1986; however, he only showed up for one recording session.
Near the 40th anniversary of their fifth studio album and major label debut, “Tim,” The Replacements are releasing “Tim: Let it Bleed Edition.” The massive box set features a loving ...
Tim is the fourth studio album by American alternative rock band The Replacements.It was released in September 1985 on Sire Records.It was their first major label release and also the last album made by the original line-up of the band: guitarist Bob Stinson was kicked out of the band towards the end of 1986.
Replacements co-manager Gary Hobbib recalled, "I remember being in some store and the song was playing and a group of little girls were singing along." [2] Westerberg commented, "We were noticing the audience was doubling at our shows and all of them came because they heard 'I'll Be You.' And a couple of nights, in our own fashion, we even ...