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De Carne Christi (c. 203–206, 'On the Flesh of Christ ') is a polemical work by Tertullian against the Gnostic Docetism of Marcion, Apelles, Valentinus and Alexander.It purports that the body of Christ was a real human body, born from the virginal body of Mary, but not by way of human procreation.
Credo quia absurdum is a Latin phrase that means "I believe because it is absurd", originally misattributed to Tertullian in his De Carne Christi.It is believed to be a paraphrasing of Tertullian's "prorsus credibile est, quia ineptum est" which means "it is completely credible because it is unsuitable", or "certum est, quia impossibile" which means "it is certain because it is impossible".
De Carne Christi (English: On the Body of Christ) (c. 206) by Tertullian; Contra Celsum (English: Against Celsus) (c. 248) by Origen of Alexandria [5] De viris illustribus (English: On Illustrious Men) (c.392-3) by Jerome; Apology Against Rufinus (402) by Jerome; On the Consolation of Philosophy (524) by Boethius
The CSEL publishes Latin writings of Christian authors from the time of the late 2nd century until the beginning of the 8th century (Bede the Venerable, †735).Each text is edited on the basis of all (or the most important of all) the extant manuscripts according to modern editorial techniques, in order to produce a text as close as possible to the original.
De Carne Christi; De spectaculis This page was last edited on 9 February 2019, at 00:21 (UTC). Text is available under the Creative Commons ...
De Arte Cabalistica; De Carne Christi; De mortibus persecutorum; De Viris Illustribus (Jerome) Death in the City; Dialogue of Athanasius and Zacchaeus; Dialogue of Jason and Papiscus; Dialogue of Timothy and Aquila; Dialogue with Trypho; Disappointment with God; The Divine Institutes
In a 'principles' approach to design theory, the De Stijl movement (founded in 1917) promoted a geometrical abstract, "ascetic" form of purism that was limited to functionality. This modernist attitude underpinned the Bauhaus movement (1919 onwards). Principles were drawn up for design that were applicable to all areas of modern aesthetics.
Apelles (Greek: Aπελλής) was a second-century Gnostic Christian thinker. He began his ministry as a disciple of Marcion of Sinope, likely in Rome.However, at some point, Apelles either left or was expelled from the Marcionite church.