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The safety valve theory was an American theory of economic development that held the availability of free land and continued expansion westwards into the American frontier contributed to American development, explained the lack of labor movements in the United States, and promoted democracy, economic equality and individualism. [1]
Safety-valve organizations can exist in politics, where they provide an outlet for those dissatisfied with the political and social situation to legally organize and discuss it. For example, Saugat K. Biswas notes that the Indian National Congress was such an organization in late 19th-century India. [ 15 ]
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
Orpheus in the Twenty-first Century: Historicism and the Art Music Renascence. Gainesville, Florida: New Music Classics [online publisher]. Frisch, Walter. 2002. "Reger's Bach and Historicist Modernism". 19th-century Music 25:296–312. Frisch, Walter. 2004. "Reger's Historicist Modernism." The Musical Quarterly 87, no. 4 (October): 732–48.
19th-Century Music 4, no. 1 (1980): 3–16. Reprinted in Cone, Music: A View from Delft, 139–57. "The Authority of Music Criticism." Journal of the American Musicological Society 34, no. 1 (1981): 1–18. Reprinted in Cone, Music: A View from Delft, 95–112. "On the Road to Otello: Tonality and Structure in Simon Bocanegra."
Heinrich Schenker (19 June 1868 – 14 January 1935) was an Austrian music theorist whose writings have had a profound influence on subsequent musical analysis. [1] His approach, now termed Schenkerian analysis, was most fully explained in a three-volume series, Neue musikalische Theorien und Phantasien (New Musical Theories and Phantasies), which included Harmony (1906), Counterpoint (1910 ...
Eduard Hanslick (11 September 1825 – 6 August 1904) was an Austrian music critic, aesthetician and historian. [1] Among the leading critics of his time, he was the chief music critic of the Neue Freie Presse from 1864 until the end of his life.
An early music revival is a renewed interest in music from ancient history or prehistory.The general discussion of how to perform music from ancient or earlier times did not become an important subject of interest until the 19th century, when Europeans began looking to ancient culture generally, and musicians began to discover the musical riches from earlier centuries.