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Charles Rennie Mackintosh (7 June 1868 – 10 December 1928) was a Scottish architect, designer, water colourist and artist. His artistic approach had much in common with European Symbolism.
Description: Dans le Kelvingrove Museum, l'exposition "Mackintosh and the Glasgow Style" présente l'origine du style de Glasgow, Il commente les oeuvres et la vie de l'architecte, peintre et designer Charles Rennie Mackintosh, de son épouse Margaret Macdonald et de sa soeur Frances Macdonald, en particulier leur exposition commune à la Sécession de Vienne en 1900, puis la conception des ...
The Artist's Cottage project is the realisation of three previously unexecuted designs by Scottish architect Charles Rennie Mackintosh.In 1901, Mackintosh produced two speculative drawings, An Artist's Cottage and Studio [1] and A Town House for an Artist.
The Style existed in England as well, but artists there gravitated slightly more towards Arts and Crafts. The most prominent figures would be Charles Rennie Mackintosh and people closely associated with him also known as "The Four", and the Glasgow School, so that the style was also known as the "Glasgow Style". [7]
In keeping with their beliefs, the Free Church required simplicity in design. A memorial stone was laid on 23 June 1898 and the church held its first service on 10 September 1899. Although he designed an Anglican Cathedral for Liverpool, as part of a competition, it was never built, so Queen's Cross was the only Mackintosh church to be completed.
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Western façade of Charles Rennie Mackintosh's Glasgow School of Art.. The city is notable for architecture designed by Charles Rennie Mackintosh (1868–1928). Mackintosh was an architect and designer in the Arts and Crafts movement and the main exponent of Art Nouveau in the United Kingdom, designing Glasgow buildings such as the Glasgow School of Art, Willow Tearooms and the Scotland Street ...
The Anglo-Japanese style developed in the United Kingdom through the Victorian era and early Edwardian era from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and ...