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See-through graphics can be added to glass or other transparent panels to provide advertising, branding, architectural expression, one-way privacy and solar control. See-through graphics on the outside of a window. See-through graphics: the view outside is unobstructed. Perforated self-adhesive window films are often used to create see-through ...
A vehicle vinyl wrap is the automotive aftermarket practice of completely or partially covering a vehicle's original paint with a vinyl wrap. [ 1] Generally this vinyl wrap will be a different color or finish like a gloss, matte, chrome or clear protective layer. The purpose may be for a color change, advertising or custom livery .
The history of film technology traces the development of techniques for the recording, construction and presentation of motion pictures. When the film medium came about in the 19th century, there already was a centuries old tradition of screening moving images through shadow play and the magic lantern that were very popular with audiences in ...
Pinhole glasses, also known as stenopeic glasses, are eyeglasses with a series of pinhole-sized perforations filling an opaque sheet of plastic in place of each lens. Similar to the workings of a pinhole camera, each perforation allows only a very narrow beam of light to enter the eye which reduces the size of the circle of confusion on the ...
Kinetoscope. Interior view of Kinetoscope with peephole viewer at top of cabinet. The Kinetoscope is an early motion picture exhibition device, designed for films to be viewed by one person at a time through a peephole viewer window. The Kinetoscope was not a movie projector, but it introduced the basic approach that would become the standard ...
The following is a list of films filmed using the VistaVision process. Titles in bold are black-and-white films. Titles with an asterisk (*) are color films processed by a laboratory other than Technicolor.
Oskar Barnack (Nuthe-Urstromtal, Brandenburg, 1 November 1879 – Bad Nauheim, Hesse, 16 January 1936) was a German inventor and photographer who built, in 1913, what would later become the first commercially successful 35mm still-camera, subsequently called Ur-Leica at Ernst Leitz Optische Werke (the Leitz factory) in Wetzlar. [1]
The "heads" of one-half of the 35 mm donor become the "heads" of one 17.5 mm length while the "tails" of one-half of the 35 mm donor become the "heads" of the other 17.5 mm length. 17.5 mm magnetic film was used as a secondary "shop standard" at Paramount and Universal for location dialogue recording ; it was most often run at 45 feet/minute ...