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Benefit is the third studio album by the British rock band Jethro Tull, released in April 1970.It was the first Tull album to include pianist and organist John Evan – though he was not yet considered a permanent member of the group – and the last to include bass guitarist Glenn Cornick, who was fired from the band upon completion of touring for the album.
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Zazzle is an American online marketplace that allows designers and customers to create their own products with independent manufacturers (clothing, posters, etc.), as well as use images from participating companies. Zazzle has partnered with many brands to amass a collection of digital images from companies like Disney, Warner Brothers and NCAA ...
Single-player, multiplayer. James Bond 007: Everything or Nothing is an action-adventure video game based on the James Bond films. It was developed by EA Redwood Shores and published by Electronic Arts under the EA Games label for the GameCube, PlayStation 2, and Xbox. The game features a cast of voice actors including Pierce Brosnan, reprising ...
The "Jingle Bells" tune is used in French and German songs, although the lyrics are unrelated to the English lyrics. Both songs celebrate winter fun, as in the English version. The French song, titled "Vive le vent" ("Long Live the Wind"), was written by Francis Blanche [19] [20] and contains references to Father Time, Baby New Year, and New ...
"Don't Download This Song" is the first single from "Weird Al" Yankovic's 12th studio album Straight Outta Lynwood. The song was released exclusively on August 21, 2006 as a digital download. The song was released exclusively on August 21, 2006 as a digital download.
Chicago 17 is the fourteenth studio album by American rock band Chicago, released on May 14, 1984. It was the group's second release for Full Moon / Warner Bros. Records, their second album to be produced by David Foster [ 7] and their last with founding bassist/vocalist Peter Cetera. As of 2023, it remains Chicago's best-selling album, with ...
Thornton's recording of "Hound Dog" is credited with "helping to spur the evolution of black R&B into rock music". [9] Brandeis University professor Stephen J. Whitefield, in his 2001 book In Search of American Jewish Culture, regards "Hound Dog" as a marker of "the success of race-mixing in music a year before the desegregation of public schools was mandated" in Brown v.