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The game is a modern interpretation of the Greek legend of Orpheus and Eurydice. The game is a combination of two ideas: Cavanagh wished to create a "silly shooter" where the player's actions were "redeemed" after being shown from a different perspective, and he also wished to create a game where the gameplay acted as a metaphor for the player ...
Eurydice's father reads to her from King Lear in a Shimer College production of Eurydice. The play consists of three movements, divided into numerous scenes: 7 in the first movement, 20 in the second movement, and 3 in the third movement. The play begins with Eurydice and Orpheus, two young lovers, who are about to get married.
Orpheus's mother taught him to make verses for singing. He is also said to have studied in Egypt. [54] Orpheus is said to have established the worship of Hecate in Aegina. [55] In Laconia Orpheus is said to have brought the worship of Demeter Chthonia [56] and that of the Κόρες Σωτείρας (Kóres Sōteíras; 'Saviour Maidens').
The scene is Orpheus and Eurydice's home in Thrace. There is a mirror on the left wall and at stage rear a white horse, protruding from a niche. As the play begins Orpheus is trying to interpret a message that the horse is tapping out with his hoof. Eurydice expresses her jealousy for the supernatural nag who takes so much of her husband's time.
Orpheus and Eurydice in Palais Garnier, Paris.Their names are in Greek, ΟΡΦΕΥΣ (Orpheus) and ΕΥΡΥΔΙΚΗ (Eurydice). In Virgil's classic version of the legend, it completes his Georgics, a poem on the subject of agriculture.
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Orpheus accepts the challenge, but unbeknownst to him, Eurydice is locked in her dressing room and thus neither door is correct. Upon choosing the wrong door, the Furies decapitate Orpheus with a chainsaw, and, in a moment staged by the EBN, Eurydice reunites with Orpheus in death. Hades and Persephone exult over the spectacle, while Orpheus's ...
The Tale of Orpheus and Erudices his Quene is a poem by the Scottish Northern Renaissance poet Robert Henryson that adapts and develops the Greek myth which most famously appears in two classic Latin texts, the Metamorphoses of Ovid and the Georgics of Virgil. Jacopo del Sellaio, Orpheus and Eurydice, c.1480