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Peter Berkos (August 15, 1922 – January 2, 2024) was an American sound editor. He received the Special Achievement Academy Award during the 1975 Academy Awards for the film The Hindenburg. This was for the Sound Editing of the film. [1] In 1996, he received the Lifetime Achievement award at the Motion Picture Sound Editors awards.
Allegiance is a musical with music and lyrics by Jay Kuo and a book by Marc Acito, Kuo and Lorenzo Thione.The story, set during the Japanese American internment of World War II (with a framing story set in the present day), was inspired by the personal experiences of George Takei, who starred in the musical.
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Meanwhile, Mendoza has continued to promote and book events in the San Diego area, including the Sounds Like San Diego series, with nine editions to date since 2003. [ 38 ] [ 39 ] [ 40 ] In 2007, Mendoza was part of a quartet of musicians who were interviewed at length about John Lennon in the documentary, Why We Listen , by director Carla Sweet.
Gravity is an underground independent record label from San Diego. [2] It was formed in 1991 by Matt Anderson, a member of the influential underground band Heroin. [3] It has been central in developing and promoting the "San Diego sound" – an idiosyncratic form of post-hardcore with loose, chaotic musicianship and vocals, initiated by Heroin, Antioch Arrow, and Clikatat Ikatowi, as well as ...
Though the book sold 10,000 copies during its first year, Dana did not receive any royalties from sales of this edition of the book. [ 2 ] In 1911, Dana's son, Richard Henry Dana III, added an introduction detailing the "subsequent story and fate of the vessels, and of some of the persons with whom the reader is made acquainted."
San Diego (/ ˌ s æ n d i ˈ eɪ ɡ oʊ / ⓘ SAN dee-AY-goh, Spanish: [san ˈdjeɣo]) is a city on the Pacific coast of Southern California, adjacent to the Mexico–United States border. With a population of over 1.3 million, it is the eighth-most populous city in the United States and the second-most populous in the state of California.
Dugan's first efforts in sound involved designing sound solutions for the Shakespeare festival in San Diego and for the American Conservatory Theater (ACT) in San Francisco. [3] Dugan's complex and atmospheric theatrical soundscapes led to a new title: during ACT's 1968–69 season, he was the first regional theatre person to be called a "sound ...