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Joel Sweeney. Joel Walker Sweeney (1810 – October 29, 1860), also known as Joe Sweeney, was an American musician and early blackface minstrel performer. He is known for popularizing the playing of the banjo and has often been credited with advancing the physical development of the modern five-string banjo.
The Virginia Minstrels put on a full minstrel show at the New York Bowery Amphitheatre on 6 February 1843. Whitlock was the most famous of the foursome, [5] but soon all four names became well known as they toured New York and Boston. Whitlock's banjo was long-necked and four-stringed, though a fifth was added by 1844.
Classic-fingerstyle banjo refers to a style of playing for the five-string banjo which penetrated popular culture in America and Great Britain in the period roughly defined as following the minstrel-show period and merging into the jazz age. [1] Some players of the genre can also be described for their activities in these other genres.
The first banjo method was the Briggs' Banjo instructor (1855) by Tom Briggs. [36] Other methods included Howe's New American Banjo School (1857), and Phil Rice's Method for the Banjo, With or Without a Master (1858). [36] These books taught the "stroke style" or "banjo style", similar to modern "frailing" or "clawhammer" styles. [36]
The American Banjo Museum in Oklahoma City is dedicated to the history of the banjo. The museum's exhibits document the rise of the banjo from its arrival in North America via the Atlantic slave trade to modern times. [4] The museum was founded in 1988 in Guthrie, Oklahoma, by Jack Canine and moved to Oklahoma City in 2009. [2]
Classic-fingerstyle banjo refers to a style of playing for the five-string banjo which penetrated popular culture in America and Great Britain in the period roughly defined as following the minstrel-show period and merging into the jazz age. [1] Some players of the genre can also be described for their activities in these other genres.
Morley became influenced by that meeting and bought himself a five-string banjo with frets and eventually learned to play it. Later in 1909, he became a member of Will Pepper's White Coons. Three years later, Morley conducted the Palladium Minstrels, composed of 34 banjoists at the London Palladium minstrel show.
He started performing in blackface in a minstrel show in about 1850, and joined S. S. Sanford's Minstrels in Philadelphia. He toured widely in the U.S. and Canada, with several minstrel shows including Bryant's Minstrels and Campbell's Minstrels. [2] Described as an "Ethiopian Comedian", Unsworth sang Irish songs and played the banjo
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