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Washington was born in New Orleans, and whilst still in his teens, he was invited to play in Lee Dorsey's band. [1] In the mid-1960s, Washington formed the All Fools Band, and played at clubs in New Orleans. [2] In the 1970s, he joined Johnny Adams' band. He played with Adams for 20 years, both performing live and also appearing on his records. [1]
His Hammond organ trio featuring Louisiana guitarist Walter “Wolfman” Washington won a 2009 New Orleans Big Easy Award in the Blues Category and a 2009 OffBeat Award for Best R&B/Funk Album for Live at the Maple Bar album. In April 2014, he was honored with a Piano Legacy Award, presented by the New Orleans Jazz Orchestra and for being a ...
Washington was backed by a seven-member version of the Roadmasters, which included a three-piece horn section. [7] [8] "Mary Ann" is a cover of the Ray Charles song. [9] "I Stand Accused" is a cover of the Jerry Butler song. [10] "Close the Door" is a rendition of the song made famous by Teddy Pendergrass. [11] "Wolf Funk" and "Funkyard" are ...
NEW ORLEANS (AP) — New Orleans music legend Walter “Wolfman” Washington, a cornerstone of the city’s musical nightlife for decades, The post New Orleans guitarist Walter ‘Wolfman ...
on YouTube "Use Me" is a song ... The House Jacks, a cappella, on their 2007 live album Get Down Mr. President; ... Walter "Wolfman" Washington; Junior Wells;
The song is included as a full-length performance by Walter "Wolfman" Washington and house band in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz. [8] [9] It was covered on the 1989 album Southern Star by the American country music band ...
The skit, which has racked up nearly 1.5 million views on YouTube already, has been praised as one of SNL’s best at a time when ratings for the show have been in steady decline. “This skit is ...
On September 30, 2005, Walter "Wolfman" Washington played the Maple Leaf's first post-Katrina show in New Orleans. (Some other local musicians who were playing in the aftermath of the storm dispute the claim that it was the city's first post-Katrina public performance, but this was the first to generate such sizable crowds and media attention.)