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Chant Noël: Chants For The Holiday Season was released 1 November 1994, [7] with Chant II released 17 October 1995 [8] and Chant III on 17 September 1996. [9] In 1998, Chant was reissued as a gold-audiophile CD by Mobile Fidelity Sound Lab. In 2004, it was re-issued along with its follow-up, Chant II as Chant: The Anniversary Edition by Angel ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
2008 – Chant: Music for Paradise, UCJ Music / Universal Music, CD 4766774 [4] / Chant: Music for the Soul, London – Decca, CD B0011489-02 [5] 2008 – Chant: Music for Paradise, Universal Music / UCJ Music, 2xCD 4766977 [6] 2010 – Best of Gregorian Chant (compilation album): Zisterzienser Mönche vom Stift Heiligenkreuz, Choralschola des ...
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel, the chants in the Liber Usualis originated in the 11th century. [1]
Gregorian chant is a variety of plainsong named after Pope Gregory I (6th century A.D.), but Gregory did not invent the chant. The tradition linking Gregory I to the development of the chant seems to rest on a possibly mistaken identification of a certain "Gregorius", probably Pope Gregory II, with his more famous predecessor. The term ...
Gallican chant refers to the liturgical plainchant repertory of the Gallican rite of the Roman Catholic Church in Gaul, prior to the introduction and development of elements of the Roman rite from which Gregorian chant evolved. Although the music was largely lost, traces are believed to remain in the Gregorian corpus.
Music for worship, according to the U.S. Conference of Catholic Bishops, is to be judged by three sets of criteria – pastoral, liturgical, and musical, with the place of honor accorded to Gregorian chant and the organ.
The songs were compulsory as Gregorian chant for the Roman church and largely replaced local vocal styles. In the style of the Gregorian chant emerged many new compositions that were increasingly melismatic. Their texts came from the Ordinary and the Proprium Missae, from antiphons for the worship service, and pieces from the Liturgy of the Hours.
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