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The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach 's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715. As a concerto for oboe, strings and ...
A set of twelve concertos was published by Estienne Roger in 1716-1717 under Antonio Vivaldi 's name, as his Opus 7. They were in two volumes, each containing concertos numbered 1-6. Of the set, ten were for violin solo; the other two were for oboe solo. The authenticity of some of the works included has long been doubted by scholars.
A difficult passage in a concerto might be furnished by the editor with an easier alternative called the obbligato (but more commonly and correctly termed an ossia); or a work may have a part for one or more solo instruments, marked obbligato, that is decorative rather than essential; the piece is complete and can be performed without the added ...
The organ sonatas, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in trio sonata form. Each of the sonatas has three movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from ...
Unlike Bach's other harpsichord concertos, BWV 1055 has no known precursors, either as an instrumental concerto or as a movement with obbligato organ in a cantata. It has generally been accepted that it is a reworking of a lost instrumental concerto, since Donald Francis Tovey first made the suggestion in 1935, when he proposed the oboe d'amore as the melody instrument.
The Handel organ concertos, Op. 7, HWV 306–311, refer to the six organ concertos for organ and orchestra composed by George Frideric Handel in London between 1740 and 1751, published posthumously in 1761 by the printing company of John Walsh. They were written for performance during Handel's oratorios, contain almost entirely original ...
The music of the first metamorphosis echoes the "free-spirited" character of its titular figure: it is unmeasured and includes frequent pauses. This contrasts with the second metamorphosis, a quick and rhythmic representation of the chariot ride of Phaeton, marked vivace ritmico. The third is slower and is marked piangendo, or "crying". The ...
The oboe d'amore (Italian for 'love oboe'; (pronounced [ˈɔːboe daˈmoːre]), less commonly hautbois d'amour (French: [obwɑ damuʁ]), is a double reed woodwind musical instrument in the oboe family. [1] Slightly larger than the oboe, it has a less assertive and a more tranquil and serene tone, and is considered the mezzo-soprano of the oboe ...
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