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Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and ...
Title page of the Panegyric of Leonardo Loredan (1503), created in honour of Leonardo Loredan, 75th Doge of Venice, now in the Walters Art Museum in Baltimore. A panegyric (US: / ˌ p æ n ɪ ˈ dʒ ɪ r ɪ k / or UK: / ˌ p æ n ɪ ˈ dʒ aɪ r ɪ k /) is a formal public speech or written verse, delivered in high praise of a person or thing. [1]
It is used in one poem of Statius (Silv. 4.5), imitating Horace, otherwise it does not appear to have been written by any major Latin poet. [51] The Alcaic stanza was often used by Horace for poems in the grand style, for example, the six Roman Odes (Odes 3.1–6), and the odes in praise of Drusus (4.4), Tiberius (4.14) and Augustus (4.15) in ...
William Blake. " And did those feet in ancient time " is a poem by William Blake from the preface to his epic Milton: A Poem in Two Books, one of a collection of writings known as the Prophetic Books. The date of 1804 on the title page is probably when the plates were begun, but the poem was printed c. 1808. [1]
Drawing of the inscription of the hymn text (1908 publication). The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed ...
A common genre in much of the neoclassical poetry was the use of the qasida, [43] as well as ghazal or love poem in praise of the poet's homeland. This was manifested either as a nationalism for the newly emerging nation states of the region or in a wider sense as an Arab nationalism emphasising the unity of all Arab people.
Irish syllabic poetry, also known in its later form as Dán díreach (1200-1600), is the name given to complex syllabic poetry in the Irish language as written by monastic poets from the eighth century on, and later by professional poets in Ireland and Gaelic Scotland. The monastic poets borrowed from both native and Latin traditions to create ...