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A common genre in much of the neoclassical poetry was the use of the qasida, [43] as well as ghazal or love poem in praise of the poet's homeland. This was manifested either as a nationalism for the newly emerging nation states of the region or in a wider sense as an Arab nationalism emphasising the unity of all Arab people.
Because of the variety of performance modes, oríkì defies classification as music or poetry, and it has been studied from both perspectives. Historically, oríkì was delivered by a specialist in a particular vocal style. [4] For example, ìjálá is acoustically open and intense, while ewì is spoken in a high-falsetto, wailing voice quality ...
Title page of the Panegyric of Leonardo Loredan (1503), created in honour of Leonardo Loredan, 75th Doge of Venice, now in the Walters Art Museum in Baltimore. A panegyric (US: / ˌ p æ n ɪ ˈ dʒ ɪ r ɪ k / or UK: / ˌ p æ n ɪ ˈ dʒ aɪ r ɪ k /) is a formal public speech or written verse, delivered in high praise of a person or thing. [1]
Muhammad. Qasīdat al-Burda (Arabic: قصيدة البردة, "Ode of the Mantle"), or al-Burda for short, is a thirteenth-century ode of praise for Muhammad composed by the eminent Shadhili mystic al-Busiri of Egypt. The poem, whose actual title is "The Celestial Lights in Praise of the Best of Creation" (الكواكب الدرية في ...
An ode (from Ancient Greek: ᾠδή, romanized: ōidḗ) is a type of lyric poetry, with its origins in Ancient Greece. Odes are elaborately structured poems praising or glorifying an event or individual, describing nature intellectually as well as emotionally. A classic ode is structured in three major parts: the strophe, the antistrophe, and ...
Drawing of the inscription of the hymn text (1908 publication). The Great Hymn to the Aten is the longest of a number of hymn-poems written to the sun-disk deity Aten. Composed in the middle of the 14th century BC, it is varyingly attributed to the 18th Dynasty Pharaoh Akhenaten or his courtiers, depending on the version, who radically changed ...
For example, in the first (1.1) and last ode (3.30), which are both in the same rare metre and both addressed to Maecenas, Horace boasts of being the first poet to imitate aeolic-style lyric poetry in Latin. In both the 5th poem (1.5) and the 5th from the end (3.26) Horace signals his retirement from love affairs by stating that he has ...
John Jordan (1930–1988) was an Irish poet born in Dublin on 8 April 1930. He was a celebrated literary critic from the late 1950s until his death in June 1988 in Cardiff, Wales, where he had participated in the Merriman Summer School. Jordan was also a short-story writer, literary editor, poet and broadcaster.