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Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period. Invented in China during the Tang dynasty, woodblock printing was widely adopted in Japan during the Edo period (1603–1868).
Shunbaisai Hokuei (Japanese: 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū. Hokuei’s prints most often portray the kabuki actor Arashi Rikan II. [1]
Courtesan Asleep, a bijin-ga surimono print, c. late 18th to early 19th century Fireworks in the Cool of Evening at Ryogoku Bridge in Edo, print, c. 1788–89. Hokusai's date of birth is unclear, but is often stated as the 23rd day of the 9th month of the 10th year of the Hōreki era (in the old calendar, or 31 October 1760) to an artisan family, in the Katsushika district of Edo, the capital ...
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
1729 calendar, which used the Jōkyō calendar procedure, published by Ise Grand Shrine. Japanese calendar types have included a range of official and unofficial systems. At present, Japan uses the Gregorian calendar together with year designations stating the year of the reign of the current Emperor. [1]
Two girls, c. 1750. Suzuki Harunobu (Japanese: 鈴木 春信; c. 1725 – 8 July 1770) was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints in 1765, rendering obsolete the former modes of two- and three-color prints.
Kobayashi Kiyochika (小林 清親, 10 September 1847 – 28 November 1915) was a Japanese ukiyo-e artist, best known for his colour woodblock prints and newspaper illustrations. His work documents the rapid modernization and Westernization Japan underwent during the Meiji period (1868–1912) and employs a sense of light and shade called ...
Insects and pests can destroy woodblock prints by eating through the paper or leaving droppings that stain the paper. A common cause of holes in Japanese woodblock prints is the deathwatch beetle (Xestobium rufovillosum). These beetles were commonly found in wood used to build furniture in the Edo period. Woodblock prints that were stored on ...
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