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Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
Phan Bội Châu (Vietnamese: [faːn ɓôjˀ cəw]; 26 December 1867 – 29 October 1940), born Phan Văn San, courtesy name Hải Thụ (later changed to Sào Nam), was a pioneer of 20th century Vietnamese nationalism.
A literary circle or coterie, according to The Oxford Dictionary of Literary Terms, is a "small group of writers (and others) bound together more by friendship and habitual association than by a common literary cause or style that might unite a school or movement. The term often has pejorative connotations of exclusive cliquishness".
Vietnamese folk literature is an intermingling of many forms. It is not only an oral tradition, but a mixing of three media: hidden (only retained in the memory of folk authors), fixed (written), and shown (performed). Folk literature usually exist in many versions, passed down orally, and have unknown authors.
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A literature circle is equivalent for young people of an adult book club, but with greater structure, expectation and rigor. The aim is to encourage thoughtful discussion and a love of reading in young people. The intent of literature circles is "to allow students to practice and develop the skills and strategies of good readers" (DaLie, 2001).
Nguyễn Hải Dương (born in Phong Điền District in Thừa Thiên Huế province on 15 April 1943) pen name and political name Nguyễn Khoa Điềm is a Vietnamese poet and government literary official. [1] [2] [3] He graduated from Hanoi National University of Education. [4] His work is included in the book, Six Vietnamese Poets. [5]
It then considered “a very great event in the learning life of Vietnamese nation in the early twenty-first century” for its “idiosyncrasy in contents and writing styles.” [8] It is the first time in the history of Vietnamese literature that a book conveys “the aesthetics of vulgarity” and “parody in literary criticism,” [9 ...