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The opening movement is a duet of soprano and tenor, "Barmherziges Herze der ewigen Liebe" (Compassionate heart of eternal love). [2] It is in two ways connected to the chorale which closes the work. [2] The melody is played line by line as a cantus firmus by the oboe, embellished and in a dancing 6/4 time instead of 4/4. [6]
Op. 15 Piano Concerto No. 1 in D minor : piano, orchestra 1854–58 original version as Sonata for Two Pianos 1854 (Mvts 2 & 3 are Anh. 2a/2) (discarded), 2nd version as Symphony in D minor in 4 mvts (4th mvt never written) 1854–55 (Mvts 2 & 3 are Anh. 2a/2) (discarded), final version (Piano Concerto) in 3 mvts (only 1st mvt from previous versions, 2nd & 3rd mvts new) 1855–58;
O ewiges Feuer, o Ursprung der Liebe (O eternal fire, o source of love), [1] BWV 34 (BWV 34.1), is a church cantata by Johann Sebastian Bach.He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 34a, beginning with the same line.
Anja Harteros (born 23 July 1972) is a German soprano.Since winning the 1999 Cardiff Singer of the World competition she has been particularly associated with the Bavarian State Opera and enjoyed an international career.
The first example of the text painting in Schicksalslied occurs in measure 41, with the "luminous" harmonies as the choir sings "Glänzende Götterlüfte". Choral text painting. The orchestra returns to prominence at measure 52 with harplike accompaniment as the chorus presents a new melody to the line Wie die Finger der Künstlerin Heilige Saiten.
The text marks a farewell to love in the world: "Stirb in mir, Welt und alle deine Liebe" (Die in me, world and all your love). [1] The music of the aria, marked " siciliano " as the slow movement of the harpsichord concerto, has been regarded as a "farewell to worldly life", [ 4 ] in "a mood of heart-stopping intensity", [ 3 ] also as a mystic ...
Röschmann has been working as a Lieder and concert singer, both in Germany and abroad since 1986. From 1994 to 2000, she was a member of the ensemble at the Berlin State Opera, where she had great success in roles such as Susanna in The Marriage of Figaro, [1] Zerlina in Don Giovanni, Ännchen in Der Freischütz (conducted by Zubin Mehta), [2] Nannetta in Falstaff (conducted by Claudio Abbado ...
"Ach, wie ist's möglich dann" also known as "Treue Liebe" (True/Loyal Love), and “How Can I Leave Thee” is a German now-traditional song.Friedrich Wilhelm Kücken (1810–1882), a German composer and conductor, claimed to have composed the tune, and that it was later modified "probably by Silcher" ("wahrscheinlich von Silcher her") and given the general name Thüringer Volkslied ...