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A conga line formed during a Christmas disco party. The conga line is a novelty line dance that was derived from the Cuban carnival dance of the same name and became popular in the US in the 1930s and 1950s. In order to perform the dance, dancers form a long, processing line, which would usually turn into a circle.
Releases including "Para Vigo me voy" often label the song as a "conga", or occasionally a "rumba". Thus, it is considered an early example of a "salon conga" or "ballroom conga", [2] in the same vein as the famous "ballroom rumbas" such as "The Peanut Vendor" ("El manisero"). According to musicologist Alberto Pérez Perazzo, "Para Vigo me voy ...
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In September 1937, the La Conga Club was established in New York at 57 W. 57th Street. [3] It was operated by Cubans Bobby Martyn, Miguel Roldan and Oscar Roche. [4] The club's diners and dancers enjoyed Rumba bands and Cuban music. Each night included a nightly Conga line, popularized by Cuban conga player Desi Arnaz in Miami and New York. [5] [6]
"We have been asked to make a dress that is gonna break the 100-pound barrier. This is, like, a major construction job," said Sondra Celli on "My Big Fat American Gypsy Wedding."
Therefore, some have assumed that "conga" was originally an adjective (as in the expression comparsa conga), and that the comparsa was dropped and conga changed to a noun (del Carmen et al. 2005). However, the word conga may also derive from either "maconga" (song) or "nkunga" (song, sound) in "the language of the Congo" (Ortiz 1924:118).
Primarily a conga drummer, Santamaría was a leading figure in the pachanga and boogaloo dance crazes of the 1960s. His biggest hit was his rendition of Herbie Hancock 's " Watermelon Man ", which was inducted into the Grammy Hall of Fame in 1998.